Sound designer and music composer with 15+ years of experience. Created sound design and music for installations, film, and dance theatre.
Film & Theatre Installations Games Sound Design Commercials & Radio Releases Label
Showreel 2026 · 1:19 · headphones recommended
Dance theatre
Created the music and sound design for Václav Kuneš’s new piece with 420 People, the final part of his triptych.
Václav Kuneš’s latest performance, Y / why, is the final piece of an imaginary triptych that explores the fundamental elements of existence. EVER was time, fleeting and eternal moments. WHERE was space, the journey to ourselves. Now, Y / why is meaning, a funny, cynical, but also broken reality. Together, they form a simple structure of connecting elements, with the basic principle being movement. As Kuneš puts it, “Movement makes sense when it is timed correctly in space.”
Company: 420 People
Music, sound design: Ladislav Zensor
2024
Film
Created original music for Tomáš Vorel’s feature film, alongside Yzomandias, Tokyo Drift, DJ Wich, Decky and Shacke One.
Džob is the final part of Tomáš Vorel’s graffiti trilogy, after Gympl (2007) and Vejška (2014). Petr and Michal have painted graffiti together since high school. Now approaching forty, Michal is a brokerage manager with a luxury home, a wife and a baby daughter, while Petr runs a graphic design studio and is trying to make it as an artist. When Petr decides to quit illegal graffiti and Michal can’t let it go, their friendship starts to fall apart.
Starring Tomáš Vorel Jr. and Jiří Mádl, the film opened in Czech cinemas on 31 July 2025 and drew more than 300,000 viewers in its first eight weeks. Parts of it were shot in Berlin.
Director: Tomáš Vorel
Client: Vorel Film
Distribution: Continental Film
Music: Ladislav Zensor, Yzomandias, Tokyo Drift, DJ Wich, Decky, Shacke One
2025
Dance theatre
Created the original score and sound design for Václav Kuneš’s dance piece with 420 People.
A world in which you stand high on an exhibition stand and feel all those inquisitive looks that are interested in even the smallest detail of your face, your body and your voice. With choreography by Václav Kuneš, dramaturgy by Lucie Němečková, scenography by Lucie Škandíková, light design by Jan Mlčoch and a special set by one of the most outstanding Czech musicians Ladislav Zensor aka Exhausted Modern, EVER will transport you to an intimate place where time and space do not play a role.
Music, sound design: Ladislav Zensor
Production: 420 People
2022
Short film
Created the original music for Ezra Šimek’s short film about gender euphoria and dysphoria.
Ezra Šimek focuses on the phenomenon of so-called gender euphoria and dysphoria, which is often experienced by trans and non-binary people. Gender dysphoria is a feeling of anxiety caused by the desire to have the physical characteristics of the sex with whom you identify, but which were not assigned to you at birth. Gender euphoria, on the other hand, is the feeling of joy that such a person can have when living their true gender identity.
Music: Ladislav Zensor
Production: Ankali
2021
AV Installation
Created sound design, FX and vocal processing (with Matěj Dvořák) for Lunchmeat Studio’s AV installation at the Czech Pavilion – and lent one of its voices.
The installation reflects on the state of today’s society through a series of sharp, ironic, and sometimes absurd moments. The setting may resemble a chaotic video call – but what’s really on the line is our collective failure to respond, in a world shaped by climate collapse, politically induced paralysis, and carefully sustained consumer comfort. The Last Call doesn’t offer solutions. Through satire, ambiguity, and immersive sound and image, it invites reflection on the urgent questions of our time. What happens when those in power keep talking, but say nothing? And what if the last call we miss isn't the one on Zoom?
Client: Czechia Expo 2025
Production: Lunchmeat Studio
Sound Design, FX, Vocal processing: Ladislav Zensor, Matěj Dvořák
2025
AV Installation, 13 speakers spatial audio
Created music and sound design for Lunchmeat Studio’s installation, played on a 13-speaker spatial audio system at Kunsthalle Praha for Signal Festival.
Lunchmeat Studio’s linear, experimental project is based on precise 3D scans of places that exist in separation from the regular rhythms of urban life. Their raw yet fragile beauty thus becomes preserved despite the surrounding entropy. The resulting audiovisual installation poses questions related to themes such as the memory of place, the aesthetic value of decay, and the current transformations of the cultural landscape.
Client: Signal Festival / Kunsthalle
Production: Lunchmeat Studio
Sound Design, FX, Music: Ladislav Zensor
2023
AV Show
Created chaptered music, sound design and FX for an audiovisual show at Next Move’s fitness club in Karlín, produced by Lunchmeat Studio.
Visitors experienced a breathtaking audiovisual show, which was created in collaboration with Lunchmeat Studio. The fitness club is part of the most architecturally significant Fragment project in Karlín, a neighborhood that is home to many successful Czech artists, which is why the vision to connect fitness with art was born. The show was preceded by several weeks of preparation and the result was a unique combination of movement, light show and story.
Client: Next Move
Production: Lunchmeat Studio
Sound Design, FX, Music: Ladislav Zensor
Voiceover: NIVVA
2023
Video game music
Created a jungle track for the game’s soundtrack, as Oblaka.
EQUINOX is a dystopian racing game with roguelite elements, made by a ten-person team as a semester project at VOŠ Scholastika. Players control genetically engineered horses through a neural biolink, inject steroids for extra speed and dodge deadly traps to reach each checkpoint before time runs out – an arcade horse racer seen through a cyberpunk lens.
Developer: MISHK1N & team, VOŠ Scholastika
Creative director: Michaela Macháčková
Music: Trauma, C4AT, mudaki, Oblaka (Ladislav Zensor), Oliver Torr
2025
Synth presets
Created a preset bank for Sing Sing Soundsystem’s free synth – Bank 01, the first artist bank for the instrument, as Exhausted Modern.
Saw Terror is a free “sawcore” synthesizer by Sing Sing Soundsystem for Mac and Windows (AU and VST3), described by its makers as an ode to the witch house era and its downtempo, sadness-coated synths. Its saw oscillator runs through granular phase distortion, a granular delay and a dense reverb, and every voice drifts on its own, so the sound never quite settles.
Client: Sing Sing Soundsystem
Presets, sound design: Ladislav Zensor (Exhausted Modern)
Plugin code and design: Terror Phoenix
2026
Online
Created sound design for the logo intro animations of two Czech cultural initiatives, used across their online presence.
Sound design: Ladislav Zensor
Production: Anymade
2022
Commercial
Created the music and sound effects for a series of short Afri Cola animations for social media.
The campaign was built around an 8-bit game aesthetic and retro music.
Music, SFX: Ladislav Zensor
Vocal: Oliver Torr
Production: Somebody&Somebody
2021
Radio
Created radio ads and jingles for Radio 1, Beef Records, Graffneck Urban Art Store and Endless Illusion.
Selection of radio jingles produced throughout the years for the Endless Illusion record label, Graffneck Urban Art Store, Radio 1, and Beef records.
Music, SFX, sound design: Ladislav Zensor
2011-2022
Podcast
Created sound design and edited Fotograf Magazine’s podcast.
Sound design, editing: Ladislav Zensor
Production: Fotograf Magazine
2021
LP 2025
“I grew up on the outskirts of Prague among concrete tower blocks – we call them paneláky – in the deep ’90s, just after the fall of communism. Oblaka takes me back to the time I started exploring electronic music, and gives me the freedom to experiment with polyrhythms, deconstructed samples and sound design. Petrichor Memories is a recollection of the smell of fresh rain on the parched concrete of a housing estate.” – L.Z.
Label: YUKU
2023
LP
In 2022 I debuted the Oblaka moniker to experiment with new musical directions and a more contemporary approach to my production. To shine some light on the Czech music scene, I invited three local features, with vocals from Anna Coranič and Arleta and a collaboration with producer Ancestral Vision. The record was released on the newly established LTE records, which I co-founded.
2022
LP
Milanese label Marguerite records first got in touch for me to contribute a track on the 'MRG10' compilation marking their tenth release. We later put together the mini-album ‘Deform / Reform’, which was released on cassette. With these recordings, I tapped into more ambient realms for the first time.
2022
EP
I came into contact with the Italian-German Veyl records through the compilation 'Previously Undisclosed Rituals', for which the co-owner of the label and musician Thomas Feriero (Maenad Veyl) approached me in 2018. A year later, we agreed on a full-fledged EP and from there 'Moral Discourse' was born. It was an honour for me to release on such an established label with both a strong artistic and visual direction.
2019
LP
This album mirrors the period it was created. Determined to drop it on vinyl at the height of the pandemic and a time when shops were closed and distributors were limited, I decided to release it myself on my own Endless Illusion imprint. It eventually sold out.
2019
Label
Reissued forgotten Czechoslovak electronic music from the communist era. Two recordings were released as part of this project. The first came from synth-noise band Omnibus (active between 1980-1985) with their albums 'Rhythmus' and 'Israels'. The second was the essential Czech record 'Planeta Haj' from 1985 by synth-wave band Máma Bubo. The recordings were accompanied by a magazine with interviews with the artists.
Production: Ladislav Zensor
2016-2017
Examples of publishing activity
Sound designer and music composer with 15+ years of experience. Created sound design and music for installations, film, and dance theatre.
Film & Theatre Installations Games Sound Design Commercials & Radio Releases Label
Showreel 2026 · 1:19 · headphones recommended
Created the music and sound design for Václav Kuneš’s new piece with 420 People, the final part of his triptych.
Václav Kuneš’s latest performance, Y / why, is the final piece of an imaginary triptych that explores the fundamental elements of existence. EVER was time, fleeting and eternal moments. WHERE was space, the journey to ourselves. Now, Y / why is meaning, a funny, cynical, but also broken reality. Together, they form a simple structure of connecting elements, with the basic principle being movement. As Kuneš puts it, “Movement makes sense when it is timed correctly in space.”
Company: 420 People
Music, sound design: Ladislav Zensor
2024
Film music
Created original music for Tomáš Vorel’s feature film, alongside Yzomandias, Tokyo Drift, DJ Wich, Decky and Shacke One.
Džob is the final part of Tomáš Vorel’s graffiti trilogy, after Gympl (2007) and Vejška (2014). Petr and Michal have painted graffiti together since high school. Now approaching forty, Michal is a brokerage manager with a luxury home, a wife and a baby daughter, while Petr runs a graphic design studio and is trying to make it as an artist. When Petr decides to quit illegal graffiti and Michal can’t let it go, their friendship starts to fall apart.
Starring Tomáš Vorel Jr. and Jiří Mádl, the film opened in Czech cinemas on 31 July 2025 and drew more than 300,000 viewers in its first eight weeks. Parts of it were shot in Berlin.
Director: Tomáš Vorel
Client: Vorel Film
Distribution: Continental Film
Music: Ladislav Zensor, Yzomandias, Tokyo Drift, DJ Wich, Decky, Shacke One
2025
Created the original score and sound design for Václav Kuneš’s dance piece with 420 People.
A world in which you stand high on an exhibition stand and feel all those inquisitive looks that are interested in even the smallest detail of your face, your body and your voice. With choreography by Václav Kuneš, dramaturgy by Lucie Němečková, scenography by Lucie Škandíková, light design by Jan Mlčoch and a special set by one of the most outstanding Czech musicians Ladislav Zensor aka Exhausted Modern, EVER will transport you to an intimate place where time and space do not play a role.
Music, sound design: Ladislav Zensor
Production: 420 People
2022
Short film
Created the original music for Ezra Šimek’s short film about gender euphoria and dysphoria.
Ezra Šimek focuses on the phenomenon of so-called gender euphoria and dysphoria, which is often experienced by trans and non-binary people. Gender dysphoria is a feeling of anxiety caused by the desire to have the physical characteristics of the sex with whom you identify, but which were not assigned to you at birth. Gender euphoria, on the other hand, is the feeling of joy that such a person can have when living their true gender identity.
Music: Ladislav Zensor
Production: Ankali
2021
AV Installation
Created sound design, FX and vocal processing (with Matěj Dvořák) for Lunchmeat Studio’s AV installation at the Czech Pavilion – and lent one of its voices.
The installation reflects on the state of today’s society through a series of sharp, ironic, and sometimes absurd moments. The setting may resemble a chaotic video call – but what’s really on the line is our collective failure to respond, in a world shaped by climate collapse, politically induced paralysis, and carefully sustained consumer comfort. The Last Call doesn’t offer solutions. Through satire, ambiguity, and immersive sound and image, it invites reflection on the urgent questions of our time. What happens when those in power keep talking, but say nothing? And what if the last call we miss isn't the one on Zoom?
Client: Czechia Expo 2025
Production: Lunchmeat Studio
Sound Design, FX, Vocal processing: Ladislav Zensor, Matěj Dvořák
2025
AV Installation, 13 speakers spatial audio
Created music and sound design for Lunchmeat Studio’s installation, played on a 13-speaker spatial audio system at Kunsthalle Praha for Signal Festival.
Lunchmeat Studio’s linear, experimental project is based on precise 3D scans of places that exist in separation from the regular rhythms of urban life. Their raw yet fragile beauty thus becomes preserved despite the surrounding entropy. The resulting audiovisual installation poses questions related to themes such as the memory of place, the aesthetic value of decay, and the current transformations of the cultural landscape.
Client: Signal Festival / Kunsthalle
Production: Lunchmeat Studio
Sound Design, FX, Music: Ladislav Zensor
2023
AV Show
Created chaptered music, sound design and FX for an audiovisual show at Next Move’s fitness club in Karlín, produced by Lunchmeat Studio.
Visitors experienced a breathtaking audiovisual show, which was created in collaboration with Lunchmeat Studio. The fitness club is part of the most architecturally significant Fragment project in Karlín, a neighborhood that is home to many successful Czech artists, which is why the vision to connect fitness with art was born. The show was preceded by several weeks of preparation and the result was a unique combination of movement, light show and story.
Client: Next Move
Production: Lunchmeat Studio
Sound Design, FX, Music: Ladislav Zensor
Voiceover: NIVVA
2023
Video game music
Created a jungle track for the game’s soundtrack, as Oblaka.
EQUINOX is a dystopian racing game with roguelite elements, made by a ten-person team as a semester project at VOŠ Scholastika. Players control genetically engineered horses through a neural biolink, inject steroids for extra speed and dodge deadly traps to reach each checkpoint before time runs out – an arcade horse racer seen through a cyberpunk lens.
Developer: MISHK1N & team, VOŠ Scholastika
Creative director: Michaela Macháčková
Music: Trauma, C4AT, mudaki, Oblaka (Ladislav Zensor), Oliver Torr
2025
Synth presets
Created a preset bank for Sing Sing Soundsystem’s free synth – Bank 01, the first artist bank for the instrument, as Exhausted Modern.
Saw Terror is a free “sawcore” synthesizer by Sing Sing Soundsystem for Mac and Windows (AU and VST3), described by its makers as an ode to the witch house era and its downtempo, sadness-coated synths. Its saw oscillator runs through granular phase distortion, a granular delay and a dense reverb, and every voice drifts on its own, so the sound never quite settles.
Client: Sing Sing Soundsystem
Presets, sound design: Ladislav Zensor (Exhausted Modern)
Plugin code and design: Terror Phoenix
2026
Online
Created sound design for the logo intro animations of two Czech cultural initiatives, used across their online presence.
Sound design: Ladislav Zensor
Production: Anymade
2022
Commercial
Created the music and sound effects for a series of short Afri Cola animations for social media.
The campaign was built around an 8-bit game aesthetic and retro music.
Music, SFX: Ladislav Zensor
Vocal: Oliver Torr
Production: Somebody&Somebody
2021
Radio
Created radio ads and jingles for Radio 1, Beef Records, Graffneck Urban Art Store and Endless Illusion.
Selection of radio jingles produced throughout the years for the Endless Illusion record label, Graffneck Urban Art Store, Radio 1, and Beef records.
Music, SFX, sound design: Ladislav Zensor
2011-2022
Podcast
Created sound design and edited Fotograf Magazine’s podcast.
Sound design, editing: Ladislav Zensor
Production: Fotograf Magazine
2021
LP 2025
“I grew up on the outskirts of Prague among concrete tower blocks – we call them paneláky – in the deep ’90s, just after the fall of communism. Oblaka takes me back to the time I started exploring electronic music, and gives me the freedom to experiment with polyrhythms, deconstructed samples and sound design. Petrichor Memories is a recollection of the smell of fresh rain on the parched concrete of a housing estate.” – L.Z.
Label: YUKU
2023
LP
In 2022 I debuted the Oblaka moniker to experiment with new musical directions and a more contemporary approach to my production. To shine some light on the Czech music scene, I invited three local features, with vocals from Anna Coranič and Arleta and a collaboration with producer Ancestral Vision. The record was released on the newly established LTE records, which I co-founded.
2022
LP
Milanese label Marguerite records first got in touch for me to contribute a track on the 'MRG10' compilation marking their tenth release. We later put together the mini-album ‘Deform / Reform’, which was released on cassette. With these recordings, I tapped into more ambient realms for the first time.
2022
EP
I came into contact with the Italian-German Veyl records through the compilation 'Previously Undisclosed Rituals', for which the co-owner of the label and musician Thomas Feriero (Maenad Veyl) approached me in 2018. A year later, we agreed on a full-fledged EP and from there 'Moral Discourse' was born. It was an honour for me to release on such an established label with both a strong artistic and visual direction.
2019
LP
This album mirrors the period it was created. Determined to drop it on vinyl at the height of the pandemic and a time when shops were closed and distributors were limited, I decided to release it myself on my own Endless Illusion imprint. It eventually sold out.
2019
Label
Reissued forgotten Czechoslovak electronic music from the communist era. Two recordings were released as part of this project. The first came from synth-noise band Omnibus (active between 1980-1985) with their albums 'Rhythmus' and 'Israels'. The second was the essential Czech record 'Planeta Haj' from 1985 by synth-wave band Máma Bubo. The recordings were accompanied by a magazine with interviews with the artists.
Production: Ladislav Zensor
2016-2017
Examples of publishing activity